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Writers’ Workbench at IWC

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Enhance your creative/critiquing skillset and knock your writing into shape.
This course takes a hands-on approach covering:
Creativity,
Dialogue & description
Finding your voice,
Style, Structure/plot,
Editing

Practicing editing techniques will be a crucial component and some of the mechanics of dialogue, description, and POV will be covered. The course is suitable for those who have attempted some writing and for those in need of a new approach. Participants will be expected to complete two pieces of fiction or creative non-fiction.

At the Irish Writers Centre on Parnell Square

Bookings via the IWC website: https://irishwriterscentre.ie/collections/spring-2020/products/the-writers-workbench-with-aiden-oreilly-2020

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Irish Times classics revisited

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I see Rob Doyle has a regular column in the Irish Times where he introduces his best-loved books.

Doyle is the author of Here Are the Young Men and the short story collection this is the ritual – link is to to a few notes I made on it. His fictions generally zoom in on the anxieties, manias and apostates of these strange days we live in.

Here’s a list of the columns so far. There are a couple of my own favourites in there too.
And below is how he introduces the series

I read for delight and fascination, even when these demand a toll, opening old wounds or inflicting new ones. The books I’m going to recommend are eclectic. What they’ve got in common, aside from the fact that they were written prior to the 21st century, is that they have all made this human lifespan I find myself undergoing deeper, stranger, grander, and full of amazement.

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Backstory of a book

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This article first appeared on the Writing.ie website in September 2015.
The Backstory of a Book.

It’s been a year since my debut collection of short stories Greetings, Hero was launched to the world. My tales of drifters and deviants incapable of accepting any “central source of validation” were a long time in the making. The oldest was written in the Staatsbibliothek on Unter den Linden in Berlin, during a bitterly cold winter. Some were written in Poznan, one in Prague, and several in Dublin. They were written slowly, left to mature, inspected, pruned with a buzzsaw to meet submission wordcounts, rejected, reconstructed, lost in virtual space, found again, re-edited. Subjected to the above cycle a few times, and perhaps somewhere along the line accepted by a magazine in Ireland, the USA or the UK.

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Writers’ Workbench course with Keegan & myself

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Colm Keegan & myself are teaming up to give a 6-week course in creative writing. Enhance your creative/critiquing skillset and knock your writing into shape.
writersworkbenchdublin@gmail.com

Six-week course, Wednesday 7pm-9pm. Starting Feb 6th. This course takes a hands-on approach covering:
Creativity,
Finding your voice,
Style,
Structure/plot,
Pace,
Dialogue,
Punctuation,
Editing

Schematically Keegan will cover the ‘Creative’ aspects and O’Reilly the ‘Critiquing’ – but the main reason for two instructors is for variety. Held at Block T creative hub, just a minute walk from Fatima Luas stop. Or 5 minutes up from James Hospital / 10 mins from Heuston station.
Contact: writersworkbenchdublin@gmail.com
It starts Wednesday Feb 6th at:
Block T artistic social enterprise
8 Basin View
Dublin 8
Limited places €130

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Winter Papers

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The Winter Pages is a hard-back annual compendium of new essays & fiction by (mainly) Irish writers. It’s beautifully produced and edited by the Olivia Smith and Kevin Barry team. On reading through it I can see there was a lot of thought put into what pieces were best suitable; there are common themes and concerns, the pieces ‘talk to each other’. My own essay, which I thought was a bit unusual when I submitted it, finds a natural place alongside pieces by Jan Carson and Wendy Erskine.

The volume is clearly intended be a Christmas Annual for book lovers – something to browse through when evenings are drawing in.

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Irish Times interview with Ashley Stokes

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Unthank Books has been operating since 2010. Recently Tom Vowler has joined as short fiction editor.

They bring out a short fiction book series called Unthology, and the tenth in the series, Unthology 10, came out in July 2018.

The series has always been open to general submissions and demonstrably never defers to established reputations or power blocs in its search for crucial new fiction. “We champion the underdog and the overlooked, the passed-over, the disconnected.”

I talked with the editor Ashley Stokes in this interview for the Irish Times.